
I’m interested in time not simply as something you measure with a clock or a calendar, but as a substance, as something subjective… I have always thought that the experience of time is different depending on which species, or who, is living it, both in terms of the quality of time and its actual duration.”
1. BIOGRAPHY
Julieta Aranda’s work spans sculpture, installation, video, and print media. Her complex body of work exists outside the boundaries of the object, and is characterized by the struggle of catching sight of elusive concepts such as time, circulation, and imagination. In 2006, she received her MFA from Columbia University School of the Arts in New York City. She had previously completed her undergraduate studies at the School of Visual Arts in Manhattan (2001). Aranda’s installations and temporary projects, which often examine social interactions and the role that the circulation of objects plays in the cycles of production and consumption, are intensely site-specific. Much of her work takes up the concept of time, sometimes to consider alternative notions of the temporal experience, and other times to approach the arbitrariness of time and freedom from time. As a co-director of the online platform e-flux together with Anton Vidokle, Julieta Aranda has developed the projects Time/Bank, Pawnshop, and e-flux video rental, all of which started in the e-flux storefront in New York, and have travelled to many venues worldwide.
READ MORE
Aranda’s work has been exhibited internationally, in venues such as the 56th Venice Biennale (2015), Guggenheim Museum (2015, 2009), Kunsthalle Fridericianum, Kassel (2015), 8th Berlin Biennale (2014), Berardo Museum, Lisbon (2014), Witte de With (2013 and 2010), Museo d’Arte Contemporanea Villa Croce, Genova, Italy (2013), the Cuenca Biennial, Equator (2012), MACRO Roma (2012) Documenta 13 (2012), N.B.K. (2012), Gwangju Biennial (2012), 54th Venice Biennial (2011), Istanbul Biennial (2011), Portikus, Frankfurt (2011), New Museum NY (2010), Kunstverein Arnsberg (2010), MOCA Miami (2009), Solomon R. Guggenheim Museum, New York, USA (2009, Museum of Contemporary Art, Chicago (2007), 2nd Moscow Biennial (2007) MUSAC, Spain (2010 and 2006), and VII Havanna Biennial; amongst many others.
2. WORK SELECTION
3. PROGRAM AT THE GALLERY
4. INSTITUTIONAL PROJECTS
Direction des Affaires Culturelles de Monaco, 2025
MUAC, 2024
Shangai Biennal, 2023
Kroner Muller, 2021
Savvy Contemporary, 2019
Momentum Biennale, 2019
TANK, 2016
“The equivalence of time and productivity has always been something that I find profoundly unsettling, and it is very important for me that with my work it is possible to see that, yes, we use time to make money, but time is much more than that one use of it. I am my own time, we are all our own time… what we do with time is not just make money; we also produce ourselves.”
“Clocks are merely measuring devices—not a sufficient way of explaining what time is or how we experience it… I wanted to understand what time was outside systems of measurement, how it is experienced, and what relationship the measurement of time has to power and politics, capital, religion, and labor.”
5. VIDEOS
2025
Exhibition Tour: Julieta Aranda. Clear Coordinates for Our Confusion
Museo Universitario Arte Contemporáneo
2024
EXHIBITION TOUR | Mirrors of Mexico | Interview with Julieta Aranda
ProaTV
2016
Julieta Aranda: The Organ / Solo Exhibition at Der Tank, Basel
VernissageTV

