“My work today does not rely on the object: It is developed through the accumulation or interweaving of elements that can be more or less visible.”

“Everyone can bring a different perspective to the same work; songs make it possible to give shape to singular imaginaries alongside a material object.”

“The signature of the other is the motif of my work, in the same way that flowers can be a motif for a painter. It isn’t about the disappearance of the author, but rather about the incorporation of the other into the work, and about seeing these commissions as equivalent to making a really good sketch.”