
“The political claim is at the outset of any work I make. I begin there. I don’t mean to use art to simply propagate my views, but want it to emerge through careful aesthetic craft. Montage, scenography, audiovisual processing, sound design, mic technique, and accent are some of the tools I use to reach the political outcome of a work.”
1. BIOGRAPHY
Abu Hamdan is a researcher, filmmaker, artist, and activist who describes himself as a “Private Ear” using sound to shape his artistic practice. Abu Hamdan has conducted sonic investigations in Syria, Lebanon, Palestine, France, and the UK, which he conveys through his distinctive aesthetic vision. Together with his team at the newly founded organization Earshot, Abu Hamdan works closely with NGOs such as Amnesty International, Human Rights Watch, Defense for Children International, and B’Tselem, Abu Hamdan emphasizes the essential role of the “politics of listening” in his work. His sound pieces resonate with people on the margins of society, including those exposed to war and violence, and have been utilized as concrete legal evidence and advocacy.
Abu Hamdan obtained his PhD in 2017 from Goldsmiths College University of London. He has completed fellowships at the University of Chicago, and at the New School, New York; and a professorship at the J. Gutenberg University, Mainz.
His works have been presented in solo exhibitions at the Munch Museum, Oslo (2025); MUDAM, Luxemburg (2024); Frac Franche Comté, Besançon (2024); Talbot Rice Gallery, Edinburg (2023); MUAC, Mexico City (2023); MoMA, New York (2023); Spike Island, Bristol (2023); Fondazione Sandretto Re Rebaudengo, Turin (2022); Sharjah Art Foundation (2022); Kunstverein Nürnberg (2021); Bonniers Konsthall, Stockholm (2021); Secession, Vienna (2020); Towner Eastbourne, UK (2020); Hamburger Bahnhof, Berlin (2019); Institute of Modern Art, Birsbane (2019); Contemporary Art Museum, St. Louis (2019); Witte de With, Rotterdam (2019); Chisenhale Gallery, London (2018); Hammer Museum, Los Angeles (2018); Tate Modern Tanks, London (2018); Portikus, Frankfurt (2016); Kunsthalle St Gallen (2015); Van AbbeMuseum, Eindhoven (2013); The Showroom, London (2012); and Casco, Utrecht (2012), among others.
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Additionally he participated in many group exhibitions and international manifestations such as the Public Art Biennale, Abu Dhabi (2024); 2nd Toronto Biennial (2022); the 12th Berlin Biennale (2022); Manifesta 14, Prishtina (2022); the 34th Bienal de Sao Paulo (2021); Kunsthalle Basel (2021); the 22nd Biennale of Sydney (2020); Mudam, Luxembourg (2020); the 58th Venice Biennale (2019); Sharjah Architecture Triennale (2019); Turner Contemporary, Margate (2019); Tate Modern, London (2013, 2018); Sharjah Biennial 13 & 14 (2017, 2019); Ian Potter Museum of Art, Melbourne (2018); Centre Pompidou, Paris (2017); Contour Biennale 8, Mechelen (2017); MACBA, Barcelona (2017); Moderna Museet, Stockholm (2017); the 11th Gwangju Biennale (2016); the 9th Liverpool Biennial (2016); Whitechapel Gallery, London (2016); Beirut Art Center (2015); and the 10th Shanghai Biennial (2014), among many others.
Lawrence Abu Hamdan is the co-winner of the Turner Prize 2019. He is also the recipient of the 2020 Jean Vigo Award, the 2020 EMAF Award, the 2019 Edvard Munch Art Award, the Baloise Art Prize 2018 and the Abraaj Art Prize 2018. In 2017, he won the short film award at the Rotterdam International Film Festival, and in 2016, he received the Nam June Paik Award for new media. More recently, he was awarded the 2022 Future Fields Commission in Time-Based Media by the Philadelphia Museum of Art and the Fondazione Sandretto Re Rebaudengo.
2. WORK SELECTION
3. PROGRAM AT THE GALLERY
4. INSTITUTIONAL PROJECTS
Zifzafa, Munch Museum, 2025
45th Parallel, Talbot Rice Gallery, 2024
Walled Unwalled and Other Monologues, MoMA, 2023
Toronto Biennale, 2022
The Sonic Image, Sharjah Art Foundation, 2022
Manifesta 14, 2022
Secession, Vienna, 2020
Bonniers Konsthalle, 2021
Biennale of Sydney, 2020
Venice Biennale, 2019
Turner Contemporary, 2019
The Voice Before The Law, Hamburger Bahnhof, 2019
Hammer Projects, Hammer Museum, 2018
Taqiyya – the right to duplicity, Kunsthalle St Gallen, 2015
Tape Echo, Van Abbemuseum, 2014
“The more I think about it, I'm not really making artworks. What I aspire to make is conditions to see and hear a story that are distinct from the ways we're normally used to seeing and hearing such stories.”
“The propagation of sound is the most expedient way to consider all forms of border-crossing, be they material, interpersonal, architectural, juridical, disciplinary, biological, sensorial, or conceptual. Careful listening is a conceptual and political tool to counter the violent ignorance of isolationism and compartmentalisation.”
5. VIDEOS
2024
Acoustic Investigation into the Syrian Regime Prison (ft. Artist Lawrence Abu Hamdan)
Art21
2024
Zifzafa | Behind the scenes with Lawrence Abu Hamdan
Alserkal Arts Foundation
2021
Meet the Artists | Lawrence Abu Hamdan
Art Basel x Nowness
2018
Lawrence Abu Hamdan: Hummingbird Clock
Liverpool Biennial
2015
What Now? 2015: The Politics of Listening – Keynote by Lawrence Abu Hamdan
The New School











