
“Similar to novels or poems, my work remains focused on the spaces in between, the intimated subtexts that allow for beautiful or ominous or moving images to materialize in each viewer’s imagination uniquely.”
1. BIOGRAPHY
Hajra Waheed’s multidisciplinary practice ranges from painting and drawing to video, sound, sculpture and installation. Amongst other issues, she explores the nexus between security, surveillance, and the covert networks of power that structure lives, while also addressing the traumas and alienation of displaced subjects affected by legacies of colonial and state violence. Characterized by a distinct visual language and unique poetic approach, her works often use the ordinary as a means to convey the profound, and landscape as a medium to transpose human struggle and a radical politics of resistance and resilience. Waheed is the recipient of the Sharjah Biennial 15 Prize (2023), the Hnatyshyn Foundation Award (2022), Victor Martyn Lynch-Staunton Award (2014) for outstanding achievement as a mid-career artist and a finalist for the Sobey Art Award (2016). Her works can be found in permanent collections including: the Museum of Modern Art, New York; British Museum, London; National Gallery of Canada, Ottawa; Centre Pompidou, Paris; Art Institute of Chicago; Burger Collection, Zurich/Hong Kong and Devi Art Foundation, New Delhi.
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Recent and upcoming exhibitions worldwide include: Fragmentos, Espacio de Arte y Memoria, Bogotá (2024); Haus der Kulturen der Welt, Berlin (2023); Sharjah Biennial 15 (2023); Contemporary Art Museum, St. Louis (2023); State of Concept, Athens (2023); PHI Foundation for Contemporary Art, Montreal (2021); Portikus, Frankfurt (2020); Centre Pompidou, Paris (2020); Lahore Biennial 02 (2020); British Museum, London (2019); The Power Plant, Toronto (2019); 57th Venice Biennale (2017); 11th Gwangju Biennale (2016); BALTIC Centre for Contemporary Art, Gateshead (2016); KW Institute for Contemporary Art, Berlin (2015); La Biennale de Montréal (2014); Herbert F. Johnson Museum of Art, New York (2012) and Fundació Antoni Tapies, Barcelona (2012).
2. WORK SELECTION
3. PROGRAM AT THE GALLERY
4. INSTITUTIONAL PROJECTS
Kiran Nadar Museum of Art, 2024
Fragmentos, 2024
CAM St Louis, 2023
Sharjah Biennial 15, 2023
Fragmentos, 2024
Portikus, 2020
The Power Plant, 2019
Musée d’Art Contemporain de Montréal, 2017
La Biennale de Montréal, 2014
“Allowing objects to speak for themselves, allowing their histories to infuse one another and viewers to steep in the mystery of interconnected clues—creating just enough tenuousness or uncertainty in order to leave space for viewers to come to the work from their own perspectives and histories… these all remain urgent bottom lines for me.”
“My process has always been decidedly analogue and I rely on the physicality of objects as vessels of experience to bring a sense of embodied history to my projects. I’ve always described material of this kind as having the qualities of a presupposed history. It’s a kind of presence that allows me to lay the foundation for a necessary examination of the past—as a means to better understand the present, in order to project into the future.”
5. VIDEOS
2023
Hajra Waheed: Hum II
Sharjah Art Foundation
2019
The Power Plant: Interview with Hajra Waheed
Harbourfront Centre
2017
FIELD MEETING Take 5: Thinking Projects – Hajra Waheed
Asia Contemporary Art Forum (ACAF)
2016
The 2016 Sobey Art Award – Hajra Waheed
National Gallery of Canada






















