“Similar to novels or poems, my work remains focused on the spaces in between, the intimated subtexts that allow for beautiful or ominous or moving images to materialize in each viewer’s imagination uniquely.”

“Allowing objects to speak for themselves, allowing their histories to infuse one another and viewers to steep in the mystery of interconnected clues—creating just enough tenuousness or uncertainty in order to leave space for viewers to come to the work from their own perspectives and histories… these all remain urgent bottom lines for me.”

“My process has always been decidedly analogue and I rely on the physicality of objects as vessels of experience to bring a sense of embodied history to my projects. I’ve always described material of this kind as having the qualities of a presupposed history. It’s a kind of presence that allows me to lay the foundation for a necessary examination of the past—as a means to better understand the present, in order to project into the future.”