“The political claim is at the outset of any work I make. I begin there. I don’t mean to use art to simply propagate my views, but want it to emerge through careful aesthetic craft. Montage, scenography, audiovisual processing, sound design, mic technique, and accent are some of the tools I use to reach the political outcome of a work.”

“The more I think about it, I'm not really making artworks. What I aspire to make is conditions to see and hear a story that are distinct from the ways we're normally used to seeing and hearing such stories.”

“The propagation of sound is the most expedient way to consider all forms of border-crossing, be they material, interpersonal, architectural, juridical, disciplinary, biological, sensorial, or conceptual. Careful listening is a conceptual and political tool to counter the violent ignorance of isolationism and compartmentalisation.”