
"One of the most important aspects of my work is the attempt to make images, documents, archives, and other materials convey meanings beyond what they show; to read between the lines of official narratives, to reveal their flip side, and to create tension between them and other narratives and perspectives."
1. BIOGRAPHY
Fredi Casco’s artistic practice revolves around archival documents and photographs that he finds in flea markets and old book stores. He creates alternative narratives that mix contemporary history, literature and a sense of uncanniness or nostalgia. He has taken great interest in the official portraits from the oligarchy in South America, as well as the indigenous Chaco region of Paraguay or his own family photographs. A visual artist, writer and director, Fredi Casco is also editor of the South American magazine Sueño de la Razón. He co-founded El Ojo Salvaje (Month of Photography in Paraguay) and also of the independent publishing house Ediciones de la Ura in Asunción. His work has been shown at the 16th Bienal de Cuenca (2023); the 55th Venice Biennale, Latin American Pavilion (2013); 3rd and 10th Mercosul Biennial, Porto Alegre, Brazil (2001 and 2015); Valencia Biennial, Spain (2007); Thessaloniki Biennial of Contemporary Art, Greece (2009); 10th Habana Biennial (2009); BienalSur, Buenos Aires (2019 and 2021). In 2013, Fredi Casco directed with Renate Costa the film Revuelta(s) for the Fondation Cartier pour l’art contemporain.
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Main solo and group exhibitions include: Les Vivants, Fondation Cartier pour l’art contemporain, Lille (2022); Send me an Image – From Postcards to Social Media, C/O Berlín (2021); El círculo que faltaba, MAMM Medellin, Colombia (2019); Lo que brilla, Centro de la Imagen, Mexico City (2019); Postcards. News from a Dream World, Les Rencontres d’Arles, France (2019); Nous les Arbres, Fondation Cartier pour l’art contemporain, Paris (2019); Aura latente, Museo del Barro, Asuncion, Paraguay (2018); Fondation Cartier pour l’art contemporain: A Beautiful Elsewhere, Power Station of Art, Shanghai (2018); Conspiracy Theory, Centro de la Imagen, City of Mexico (2017); El retorno de los brujos. Los desastres de la guerra fría, Archivos Nacionales de Asunción, Paraguay (2017); La fascination des sirènes, Maison de L’Amérique Latine, Paris (2014); Now you see it, Photography and Concealment, The Metropolitan Museum of Art, New York (2014); America Latina, 1960-2013 Photographs, Fondation Cartier pour l’art contemporain, Paris (2013); and Efecto Downey, Fundación Telefónica in Buenos Aires (2006).
2. WORK SELECTION
3. PROGRAM AT THE GALLERY
4. INSTITUTIONAL PROJECTS
Power Station of Art
MET
Maison Amerique Latine, 2014
Lille 3000, Fondation Cartier
Les Rencontres d’Arles, 2019
Centro de la Imagen, 2019
C O Berlin
"I’ve always been fascinated by the iconography of horror and science fiction films, but also by the visuals of popular literature, the textures, the “tactile visuality” of offset prints… Since I’m a fan of these kinds of products, I’ve also always been interested in stories related to extraterrestrial encounters and pseudoscientific theories with their bombastic, sensationalist headlines."
5. VIDEOS
2026
In Conversation with Visual Artist Fredi Casco
MEGA TV
2020
Interventions by Fredi Casco
Museo del Barro
2018
MUFF TV – Fredi Casco / Inductor of Shared Paths
CdF Montevideo
2016
Fredi Casco – Inductor of Shared Paths
CdF Montevideo
2013
América Latina 1960-2013 – Fredi Casco and Renate Costa – Interview
Fondation Cartier pour l’art contemporain



















